• qwerky home
  • news
  • light - photography
  • qwerky photo blog
  • language - writing
  • life on snob hill blog
  • STL Stage Snaps
  • about
  • Members Only
  • Menu

qwerky studio

cb adams: writer + photographer + culture critic + creative lifer
  • qwerky home
  • news
  • light - photography
  • qwerky photo blog
  • language - writing
  • life on snob hill blog
  • STL Stage Snaps
  • about
  • Members Only
000027460003.jpg

Tassels & Fronds

July 26, 2013

I shot this a couple of weeks ago while working in St. Marys, Kansas. I was working in St. Marys and staying at a small motel in Wamego, about 12 miles away. This area is in northeastern Kansas, so there's lots of corn and some soybeans, but not the ubiquitous wheat one usually associates with this state.

Mornings and early evening, I drove between the work site and the motel. I was always looking for something to shoot. At first, nothing seemed photo-worthy. But slowly, the landscape revealed itself to me. It revealed its simplicity. I stopped to photograph a sign that I found interesting. As I turned toward the car, I saw this view. I took a chance. I was using a camera that I had owned for several years but only shot one or two rolls with it. I didn't know how it would render what I was seeing.

I received my scans in the same hour that I read a short posting by the photographer David Carol, whose work and demeanor I have come to very much appreciate. He was discussion the three essential traits of a good photographer. He wrote, "The second important attribute is the ability to notice. You must see what is not always obvious and be visually aware of subtle nuances in the world around you."

I was doing that without being conscious of it. I have a reputation among the Scout leaders and parents of my sons' classmates. I was constantly getting "lost" on field trips and outings -- usually photographing things that the others either did not see, or did not see as something worthy of a photograph. Until they saw the work later.

This shot epitomizes my approach to noticing things. The evening I shot this, I was having dinner with the client and he asked about my delay in meeting him for dinner. I apologized for making some stops along the way to take pictures. When I told him I had been taking photographs of the cornfields, the look on his face said, "WHY?"

I will let this shot answer his unasked question.

 

Prev / Next